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From soundless to sounds as from nothingness to any presence

kyonissho
Jul 31
1 min read

As a range of my learning from Lao-tzu,

"holy man/woman enjoys soundless of music."


When the sounds in Chinese music locate soundless,

(1) from soundless to sounds

lead the spirit to

(2) from nothingness to presence.


Then I'm enjoying Chinese musics recently, e.g. ...


Fig.1.
Fig.1.

And for example, from "伍芳 (Wu-Fang)" as Chinese characters, I remember the four figure and the one connection/linkage of ...


Fig.2.
Fig.2.

I think the four small stars mean the four figures, and the big star is the connection/linkage of change.

As the connection/linkage,

(3) from nothingness as reality to self-control to make self be accord with change.


Red is cleanest color for Chinese like white compared with other some nations.


Then ...


Fig.3. My base-3^(1/2) violine.
Fig.3. My base-3^(1/2) violine.

Fig.3:

The base-3^(1/2)'s one octave is set for each strings.

The red tapes are on base-3^(1/2) frequency, and the deep green tapes are on base-2.5^(1/2).


E.g. when I'm enjoying a movie with this violin, I trace the movie's base-2 sounds, and I "hear" any sound from my soul onto base-3^(1/2), then often I like base-2.5^(1/2) at the next sound.

Therefore I'm measuring the phenomena from base-2, base-3^(1/2) and base-2.5^(1/2) to watch on my fingers.



(C) Copyright 2026 Kiyom Nishio (Kyo Nissho). All rights reserved.


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© 2025 Kiyom Nishio (Kyo Nissho). All rights reserved.

 

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